Lost Wax Casting
by

Norman Collins

HOME PAGEAUTOBIOGRAPHYBASIC PROCESS
BRONZE AGE (See Video)PALESTINE-INDIA c4000 B.C.CHINA c2600 B.C.
EGYPT c2000 B.C.MINOA-CRETE c3000 B.C.LEBANON-TURKEY c3000 B.C.
ETRUSCAN-JAPAN c500 B.C.THAILAND c300 B.C. (See Video)AFRICA c1500 A.D.
ITALY c1500 A.D.RUSSIA c1846 A.D.RECENT HISTORY c1897 A.D.
OTHER SITES OF INTERESTWEBSITE TERMS

Welcome to my Web Site, I have now decided to use all my knowledge and experience to create a Book and Workshop Manual of Lost Wax Casting.

RECENT HISTORY OF LOST WAX CASTING

DENTISTS c.1897AD.

Dr. B.F. Philbrook (Denison, Iowa), was using a simplified version of a dental casting process in 1897 and presented a paper entitled “Cast Fillingsin that year. Then Dr. William H. Taggart (Chicago) developed a technique of gold inlays using the ‘invested wax pattern method’ and presented a paper called “A New and Accurate Method of Casting Gold Inlays” in New York on 15th. January 1907.

ENGLAND 1907 A.D.

PRECISION INVESTMENT CASTING FOR INDUSTRY
c.1907AD. – UNTIL THE PRESENT TIME.

Modern Day Development of Industrial Precision Investment Lost Wax Casting. The begginning of precision investment lost wax casting for industrial uses occurred when the jet engine was first invented.

Sir Frank Whittle, English aviation engineer and pilot, who invented the jet engine, was born on the 1st of June 1907, in Coventry, Warwickshire, England. The son of a mechanic, Whittle entered the Royal Air Force (RAF) as a boy Apprentice and soon qualified as a pilot at the RAF College, Cranwell. He was posted to a fighter squadron in 1928 and served as a test pilot in 1931 - 1932. He then pursued further studies at the RAF Engineering school and at Cambridge University in 1934 - 1937. Early in his career, Whittle recognised the potential demand for an aircraft that would be able to fly at great speed and height and he first put forth his vision of jet propulsion in 1928, in his senior thesis at the RAF College.

The young Officer's ideas were ridiculed by the Air Ministry as impractical however, and attracted support from neither the government nor private industry. Whittle obtained his first patent for a turbo-jet engine in 1930 and in 1936 he joined with associates to found a company called Power Jets Ltd. He tested his first jet engine on the ground in 1937. This event is customarily regarded as the invention of the jet engine, but the first operational jet engine was designed in Germany by Hans Pabst von Ohain and powered the first jet -aircraft flight on August 27, 1937.

The outbreak of World War 11 finally spurred the British government into supporting Whittle's development work. A jet engine of his invention was fitted to a specially built Gloster E.28/39 airframe and the plane's maiden flight took place on May 15th, 1941. The British government took over Power Jets Ltd, in 1944, by which time Britain's Gloster Meteor jet aircraft were in service with the RAF, intercepting German V-1 rockets. Whittle retired from the RAF in 1948 with the rank of air commodore and that same year he was knighted.

The British government eventually atoned for their earlier neglect by granting him a tax-free gift of £100,000. He was awarded the Order of Merit in 1986 and in 1977 he became a research professor at the U.S. Naval Academy in Annapolis, Maryland and his book Jet: The Story of a Pioneer was published in 1953, but he had a breakdown and died in 1996.

Also in America at the same time, the government did not want Pratt & Whitney to get into the jet engine business, but to concentrate instead on the production of piston engines. In the meantime in 1940 General Electric, Westinghouse and Allis Chalmers were set up in business with the aid of US. Government contracts and went into turbine production using Cyclops 17w for both the wheel and blades. The blades which were being assembled on the wheels in keyhole slots around the rim had to be machined all over. During 1942 and 1943 production was shifted to a Timken alloy wheel and Vitalium turbine blades and the blade production was now changed to a Dental investment lost wax casting process which only required a very minimum of machining. At that time the Vitalium alloy was made by Hanes Stellite Company for the Austenal Dental Laboratories, who owned the Vitalium Trademark.-

With grateful thanks to - Jack Connors - U.S.A.

CONCLUSION

The major difference between the industrial lost wax casting process and lost wax casting for jewellery and ornaments is that the engineer is looking firstly for precision, tolerances of +/- 5 thousandths of an inch which can easily be achieved and even beaten in many circumstances. This precision necessitated that the moulds for the wax pattern production, had to be produced in steel, instead of rubber which allowed a lot of distortion to take place, although for ease of production, weight and cost saving, aluminium is much more frequently used. In this the most modern and up to date form of Precision Investment Lost Wax Casting, a metal mould was devised with which it is possible to mass-produce wax patterns in high column.

Although being metal and not flexible, as with the rubber moulds for the production of jewellery, varies sophisticated techniques had to be developed to cope with some of the more complex external and internal shape, that over the years industry has demanded. There are several different process operated in the industrial field, Ceramic Shell, Ceramic Shell combined in a block mould centrifugally cast, Shell moulding and block mould for Aluminium casting. It also possible to cast small castings on a bottom pouring, Vacuum suction casting machine as used in Jewellery production.

JEWELLERY LOST WAX CASTING

In England and many other countries for many years, jewellers where using a form of casting known as Cuttlefish casting. This was literally a system of casting using two pieces of cuttlefish, flattening one side of each piece. Then squeezing between the two pieces of cuttlefish the item that you wanted to cast. You then carefully pulled the two pieces of cuttlefish apart, carefully removing the item that you had placed between them.

You then cut a channel from the outside of the two pieces of cuttlefish into the centre where the hole has been left. You put the two pieces together, carefully lining them up and bind them tightly together with iron binding wire. You melt your gold or silver and when molten, pour it into the two pieces of cuttlefish, when cool, you remove the casting from the cuttlefish.

But as far as I am concerned, the biggest single development to hit the Jewellery world was that of Lost Wax Casting, being the most primitive and at the same time the most commonly employed casting process to be used down through the centuries. Bringing great benefits, of much finer finish, far more complex and intricate shapes can be produced than with any other casting method and unlike hand made jewellery with a very little amount of hand finishing. At this point I would like to explain that up till now, all the wax patterns used in the lost wax casting process, in all the ages and countries, were all carved by hand.

Now we come to the more up to date period of this wonderful process, in America on the 28th. April 1937, Thoger G. Jungersen, Summit, N.J. Filed an original Patent application Serial No. 139,629, which was a continuation in part, of application Serial No. 745,893 filed 28th. September 1934, Patented 14th. 1940, for the process of Lost Wax Casting Jewellery using Vulcanised Rubber Moulds and a centrifugal casting machine, for the production of intricate and other items of Jewellery. This therefore made it possible to mass produce the waxes for lost wax casting for the first time, this event I have always refer to as, "Jewellery's Industrial Revolution".

 

I would be pleased to answer any questions.

This Website is designed and produced by Norman Collins.
©2007 Updated - 23rd February 2011

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